I found embroidery
very wide ranging- the options for developing spot and stripe designs
were really varied. However I struggled to convey my interpretation
of ‘spots and stripes’ in a satisfying way. In contrast, I felt
that print allowed me to introduce more energy to the theme through
colour and layers of pattern. I particularly enjoyed improving my
Photoshop skills. One of the things I like most about screen printing
and sublimation printing is that, until you’ve applied the ink to
the fabric, or transferred the image using the heat press, you’re
never quite sure what the final design will look like. This inspired
me to be more outgoing with my designs and colour choices. At the
beginning, I found knit a real struggle, but in the end I loved it,
precisely because it was so rewarding to persevere with it and
eventually be producing samples I was proud of. Again, weave was
frustrating for me in the beginning. Although I enjoy slow, involved
processes, it took a while for me to make any samples that I was
pleased with, or that I felt accurately represented my colour work
and drawings. Despite this, I found it a really pleasing way of
adding another dimension to flat designs. The mathematical technique
forced me to think laterally about how to represent the colours and
shapes in my inspiration image in the right ways, forcing me to
reflect the spots and stripes brief through texture and repeat
patterns as well as colour and detail.
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Galt Exhibition, Manchester Central Library
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